The following day, another victim, who had been forced to cut one pound (0.45 kg) of flesh from his body, is found; the crime scene is marked “greed”. The film has inspired a number of television series and films with its aesthetic, music, and premise. However, it grossed $327 million worldwide, becoming a sleeper hit and the seventh highest-grossing film of the year. An Italian film company optioned his script, but following financial difficulties, the rights were sold to New Line Cinema. Somerset also befriends Mills’ wife, Tracy (Gwyneth Paltrow), who is pregnant and afraid to raise her child in the crime-riddled city. Seven is a 1995 American crime thriller film directed by David Fincher and written by Andrew Kevin Walker.
- Clues at the scene lead Somerset and Mills to the sloth victim, a drug-dealing pederast whom they find emaciated and restrained to a bed.
- Robert Duvall, Gene Hackman, and Al Pacino rejected the role.k The script was further modified after Pitt’s and Freeman’s castings to better match their acting styles; Mills was made more verbose and Somerset’s dialogue was reduced, and made more precise and direct.
- Seven’s aesthetic was influenced by films such as All That Jazz (1979), The Silence of the Lambs (1991), and The French Connection (1971), as well as the over-the-shoulder viewpoint used in documentary television show Cops because of its implicit vulnerability.
- They soon realize they are dealing with a serial killer (Kevin Spacey) who is targeting people he thinks represent one of the seven deadly sins.
- This helped to establish the character and the threat he poses prior to his appearance in the film’s final act.t The sequence was set to the “Closer” remix at Fincher’s request.
- Seven’s use of non-mainstream music by Nine Inch Nails is also seen as contributing to increased use of similar songs in films such as Final Destination (2000) and Resident Evil (2002).
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Doe creates order by filtering literature about the seven deadly sins and works by authors such as John Milton through a lens of religious fanaticism. Somerset tries to create order using the ticking of a metronome to disguise the disordered noise of sirens and screams outside his apartment.ai Dyer wrote that Somerset’s smashing of the metronome signifies his acknowledgment of the city’s darkness. Thompson observes that Tracy, unlike Mills, possesses a more discerning perspective, having already concluded that the city holds no promising future for her family and expresses her desire to return to their home outside its borders. The narrative thus reinforces the notion that the city is trapped in a temporal loop, condemned to endlessly repeat cycles of sin and corruption without the prospect of liberation or escape. Professor Kirsten Thompson characterizes the city as devoid of temporal or spatial markers, with an absence of recognizable elements like street signs, costumes, or specific vehicles that could provide clues to its identity. The city’s bleak aesthetic implies a moral decay and indifference by its inhabitants that enables Doe’s plan, which can be considered akin to the sloth sin.ah
Roger Ebert was the film critic of the Chicago Sun-Times from 1967 until his death in 2013. All of the pieces are in place, all of the characters are in position, and then – I think the way the story ends is too easy. “Seven” is unique in one detail of its construction; it brings the killer onscreen with half an hour to go, and gives him a speaking role. But the corpses pile up, in cold fleshy detail, as disturbingly graphic as I’ve seen in a commercial film. A break in the case comes with Somerset’s sudden hunch that the killer might have a library card. Although the time of the story is the present, the set design suggests the 1940s; Gary Wissner, the art director, goes for dark blacks and browns, deep shadows, lights of deep yellow, and a lot of dark wood furniture.
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During its opening weekend, Seven grossed $14 million across 2,441 theaters—an average of $5,714 per theater—making it the number-one film of the weekend, ahead of the debut of Showgirls ($8.1 million), and To Wong Foo, Thanks for Everything! Fincher’s public image had also been tarnished by the failure of Alien 3, and although Freeman and Pitt were proven stars who were capable of attracting audiences, New Line Cinema struggled to capitalize on Pitt’s popularity. New Line Cinema had low expectations for Seven based on middling scores from test audiences. “Disquieting” sounds were added throughout the sequence at a low frequency, such as barking dogs and screams. Fincher wanted Mark Romanek to direct the sequence, being a fan of his music video for “Closer” and sharing similar design sensibilities, but Cooper secured the role because of his previous experience on similar title sequences. The sequence was well-received by executives, who suggested retaining it for the theatrical release.
Fincher said he would not alter the film’s content, but intended to enhance some visual elements to take advantage of modern technology and conceal any flaws made obvious by the higher resolution. In 2023, Fincher announced he was developing a 4K resolution remaster of Seven from the original film negative. The film was released on Blu-ray Disc in 2010; the release features remastered visuals and contains all of the additional content in the special edition, with an additional collectible DigiBook version containing production notes and photographs. The soundtrack of Seven was released in November 1995; the 11-track compact disc (CD) and cassette-tape release contains several of the songs used in the film such as “Guilty” and “In the Beginning”, and two pieces of the score (“Portrait of John Doe” and “Suite from Seven”) but omits “Closer” and “The Hearts Filthy Lesson”. Ebert found the ending “satisfying” but underwhelming compared to the film’s earlier events. Howe and Owen Gleiberman said the ending is “like an act of treachery against the viewer”, undermining any hope for a positive outcome; and Barry Norman said it denies the audience “even of the final comfort they fully deserve”.
Seven was also highlighted by critic Roger Ebert in his series, The Great Movies, in 2011, and it is included in the film reference book 1001 Movies You Must See Before You Die. In the 2020s, MovieWeb and Stuff called Seven one of the most memorable and “quintessential” crime thrillers of the 1990s, representing a high point of the genre and filmmaking for the decade. In a 2015 interview, Walker said that he remained proud of Seven despite criticisms from some audiences. In the years since its release, Seven has grown in esteem, receiving general critical praise, and being described by the British Film Institute (BFI) as a groundbreaking thriller. Doe’s notebooks offer insight into his misanthropic worldview, revealing disdain for the city and extreme reactions to mundane urban interactions.
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Filming took place over eight days, including two days filming a hand-model stand-in for Doe. Cooper regularly conferred with Wall on ideas, and spent the night before filming locating items such as fish hooks and loose hairs from his drain, which he believed would make interesting inclusions. Artist Wayne Coe storyboarded the sequence, which Harris Savides filmed and Angus Wall edited. The title sequence depicts Doe’s preparations and routines for his murderous plans, such as cutting off his fingertips, processing photographs in his bathtub, and making tea.
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Cooper focused on Doe’s elaborate journals, briefly glimpsed in the film, while Fincher suggested the sequence should depict Doe. The Motion Picture Association of America (MPAA) mandated cuts to some scenes of Bottin’s effects work to secure a film rating. The process took up to 14 hours, requiring MacKay to begin at 5 am to be ready for filming by 8 pm. Fincher wanted precise staging for every scene to make the audience feel as if they were in the location. Khondji said Frank’s style could be seen in Seven’s very bright exteriors and dark interiors, a visual contrast achieved by underexposing the film negative. This was intended to create a stark contrast between the countryside and the darkness of the city but there was insufficient budget to film it.
According to Dyer and author Matthew Saunders, Doe conducts a violent crusade, illustrating the consequences of moral decay and sin, based on his interpretation of Christian ideology, in a city similar to the biblical Sodom and Gomorrah. In the decade surrounding this transition, many films addressed concerns about time running out, reflecting a broader sense of societal decay. When confronted by Mills about the innocence of his victims, Doe retorts that sin pervades the city to such an extent that innocence becomes trivial and tolerated.
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Richard Dyer draws parallels between the perpetual rain in Seven and films like Blade Runner (1982), emphasizing its relentless and pervasive nature. Somerset does not believe the city can be saved, intending to retire beyond its confines, and tells Mills that women are taught to yell “fire” rather than “help” because people are more likely to pay attention if they selfishly think of themselves as in danger. Seven was an unexpected hit, becoming one of the most successful and profitable films of 1995. In total, Seven grossed an estimated worldwide total of $327.3 million,ii This made it the seventh-highest-grossing film of the year.
- During the final scene’s car ride, Somerset detects a baser motive in Doe, suggesting he takes pleasure in killing people.
- When confronted by Mills about the innocence of his victims, Doe retorts that sin pervades the city to such an extent that innocence becomes trivial and tolerated.
- For the finale, he introduced more rapid cuts to emphasize the tension as Doe’s plan is revealed, and a brief, four-frame insert of Tracy as Mills pulls the trigger to compensate for not showing the contents of the box.
- A novelization of Seven that was written by Anthony Bruno was released alongside the film in November 1995.
- Pitt rejected several offers from other films because he wanted to escape his typecasting as a romantic lead character in favor of something with a more “documentary feel” with urban settings and a focus on dialogue, akin to thriller films such as The Conversation (1974).
Even when all the lights are turned on in the apartments of the victims, they cast only wan, hopeless pools of light. This is a very dark film, the gloom often penetrated only by the seven casino login flashlights of the detectives. “Seven,” a dark, grisly, horrifying and intelligent thriller, may be too disturbing for many people, I imagine, although if you can bear to watch, it you will see filmmaking of a high order.
Early trailers and newspaper, television, and radio advertisements focused on the seven sins, presenting Seven as an “edgy” prestige film rather than a jumpscare-style horror. The text was etched onto a black-surfaced scratchboard and visually manipulated while being transferred to film to add a smear effect combined with variants of the same text achieved by placing the text over a light box and filming them over-exposed, creating an animation-style effect. The sequence focuses on Doe writing his journal and crossing out words such as “pregnancy”, “marriage”, and other elements representing a “perfect life”, which he does not believe people deserve. This helped to establish the character and the threat he poses prior to his appearance in the film’s final act.t The sequence was set to the “Closer” remix at Fincher’s request. Following the removal of the planned opening train-ride scene with Somerset, Fincher needed a temporary title sequence to screen Seven for studio executives.s He recruited R/GA designer Kyle Cooper and his team to assemble a montage reflecting Doe’s perspective.
Pitt insisted on performing his own stunts for the scene; he slipped on a rain-slicked hood, crashing through the windshield and sustaining injuries including cut tendons and nerves in his left hand; Fincher said he saw exposed bone. One segment had to be re-filmed because the location was too dark for the camera to capture Freeman’s face. The studio was unhappy with the darkness of the dailies; Khondji suggested printing the footage brighter but Fincher refused to compromise. Khondji used a mixture of lighting, using the warm light of Chinese lanterns to represent the past and present, and the cold light of Kino Flos to represent the future.
For the finale, he introduced more rapid cuts to emphasize the tension as Doe’s plan is revealed, and a brief, four-frame insert of Tracy as Mills pulls the trigger to compensate for not showing the contents of the box. Pitt believed this caused the scene to lose its momentum, affecting the pacing and emotion. Lights with green color gels were shone through the window from the adjacent building to impart the scene with a green tint. For scenes set prior to the chase, Pitt would keep his hand in his pocket or otherwise obscured to hide the injury.o Pitt returned to the set a few days later, having received stitches and a forearm cast, which had to be written into later scenes.
Fincher chose one scene in Klute in which the only illumination is the character’s flashlight, saying he disliked other films in which characters state visibility is low but the audience can clearly see the scene. To shape the character of the killer, Walker drew inspiration from his own experiences navigating city streets, where he witnessed crimes and sins unfolding openly. The studio’s marketing president Chris Pula called the advertising campaign for Seven risky because it had to prepare people for the film’s dark, violent content while making it a topic of discussion among potential audiences. Shore described the film’s ending as having a visceral effect on him; he incorporated his reaction into the sequence’s score, providing little accompaniment during the dialogue between Mills, Somerset, and Doe, but using it to punctuate significant moments such as Somerset opening the box. The helicopter scenes were also filmed in post-production because there was no time during principal photography; the studio agreed the provision of extra time and funding for additional scenes if they were deemed necessary. Set in an unnamed, crime-ridden city, the narrative follows disenchanted, nearly retired Detective Lieutenant William Somerset and his newly transferred partner David Mills as they try to stop a serial killer from committing a series of murders based on the seven deadly sins.